Before your book can be designed, printed or sold, the manuscript needs to be finished.

This stage is not about formatting the book.
It is not about designing the cover.
It is not about choosing fonts, page numbers, margins, colours, spine width or print layout.
It is not about placing images or trying to make the pages look finished.

This stage is about the content of your book.

Your job at this point is to write the book, organise the book, improve the book and make sure the words are ready before anyone starts turning it into a finished printed product.

It can be tempting to jump ahead. Many authors start worrying about the cover, the layout, the page size, the images or how the finished book will look before the manuscript itself is complete.

Try not to do that.

Book design comes later.
Cover design comes later.
Image placement comes later.
Printing comes later.

Right now, the focus is the manuscript.

What is a manuscript?

A manuscript is the written content of your book before it has been professionally designed for print.

It may be a Word document, Google Doc or another text file. It might include chapters, headings, notes, acknowledgements, references or other written sections.

At this stage, it does not need to look like a finished book.

It needs to be clear, complete and organised.

A good manuscript gives the next person in the process — whether that is an editor, designer, formatter or printer — something clean and workable to use.

Do not format the book yet

One of the biggest mistakes authors make is trying to format the book too early.

You do not need to make your manuscript look like a printed book at this stage. In fact, doing that can cost you time later.

When authors try to format their manuscript too early, they often add things that need to be removed before proper book design can begin.

This may include:

  • typed page numbers

  • double spacing

  • repeated spaces

  • manual tabs

  • random font changes

  • forced page breaks

  • text boxes

  • headings manually styled in different ways

  • images placed into the manuscript

  • large gaps created by pressing Enter over and over

  • attempts to create a front cover or back cover inside the manuscript file

This kind of formatting can make the file messy and harder to work with.

The internal layout of a book should be created later, once the book size, margins, binding gutter, page count and print specifications are known.

At this stage, simple is best.

Use clear chapter headings.
Use normal paragraph breaks.
Keep the file readable.
Make simple notes where something special may need to happen later.
Do not try to design the finished book.

Your manuscript is not supposed to look like a book yet.

It is supposed to contain the book.

Do not use double spacing in your book manuscript

Do not use double spacing in your book manuscript.

Double spacing is sometimes used for academic submissions, school assignments or traditional manuscript review, but it is not needed when preparing a book for design and print.

Your manuscript should be clean, simple and easy to work with. The designer or formatter will set the correct line spacing later as part of the internal book layout.

If you double space the manuscript, it can make the file harder to assess, harder to edit and harder to prepare for layout. It can also confuse the author into thinking the page count is much higher than it really is.

At this stage, do not try to make the manuscript look like a finished book.

Use normal paragraph spacing and keep the file simple.

The final line spacing, margins, page size, headers, footers, page numbers and overall book layout all come later during the book design stage.

Do not place images or format the book yet

At the manuscript stage, focus on the text only.

Do not place images into the manuscript as if you are designing the book. Do not try to position photographs, illustrations, diagrams or graphics on the page. Do not resize images to fit. Do not wrap text around images. Do not build the book layout in Word.

That comes later.

If your book includes images, simply make a clear note in the manuscript where the image may belong. For example:

[Image 1: beach photo may go near this section]

or

[Illustration: child holding red balloon]

The actual image placement, sizing, cropping and print quality checks should happen during the book design stage.

The manuscript stage is about the words.

Your job here is to make sure the text is written, complete, edited and organised. Book design, image placement, cover design, page numbers, margins, gutters, bleed, fonts and spine width all come later.

Trying to format the book too early can create extra work and may need to be undone before proper design can begin.

Keep the manuscript clean.

Keep the manuscript simple.

Keep the manuscript focused on the text.

Focus on the words first

The most important thing at this stage is the content.

Before you move forward, ask yourself:

Is the book complete?
Are all the chapters included?
Is the order correct?
Does the book make sense from beginning to end?
Are there missing sections?
Are there repeated sections?
Is the tone consistent?
Does the book say what I want it to say?

This is the stage where you work on the writing itself.

For fiction, that may mean checking plot, pacing, characters, dialogue and structure.

For memoir, it may mean checking flow, timeline, emotional clarity and whether the story is easy to follow.

For non-fiction, it may mean checking the order of ideas, chapter structure, explanations, examples and supporting information.

For children’s books, it may mean checking language, rhythm, page turns, age suitability and how the words may work with illustrations later.

Every book is different, but the goal is the same: get the content into the strongest shape possible before design begins.

This is when an editor can help

If you are going to work with an editor, this is the stage where they can be most useful.

Editors work with words, structure, meaning, clarity and consistency. Their role is to help improve the manuscript before it becomes a designed book.

A good editor can help you see problems you may not notice because you are too close to the work.

They may help you strengthen the structure, improve the flow, remove repetition, clarify confusing sections, check consistency or prepare the manuscript for proofreading.

Different editors offer different types of editing, so it is important to understand what kind of help you need.

Types of editing and when to use them

Not every manuscript needs every type of editing. The right level of editing depends on the book, the author, the budget and the purpose of the project.

Here are the main editorial areas authors should understand.

Manuscript assessment

A manuscript assessment is a broad review of your book.

The editor reads the manuscript and gives feedback on the overall strengths and weaknesses. They may comment on structure, pacing, clarity, audience, character development, organisation or areas that need more work.

This is useful when you have a draft and want professional feedback before doing more rewriting.

Use a manuscript assessment when:

  • you are not sure if the book is working

  • you want big-picture feedback

  • you need help understanding what to improve

  • you are not ready for detailed editing yet

  • you want guidance before spending money on deeper editing

A manuscript assessment usually does not involve rewriting the manuscript for you. It gives you direction so you can improve the book.

Developmental editing

Developmental editing looks at the big-picture structure and content of the book.

For fiction, this may include plot, pacing, character arcs, point of view, dialogue, tension and chapter structure.

For non-fiction, this may include argument, chapter order, clarity, logic, flow, examples, missing information and whether the book suits the intended reader.

For memoir, this may include story structure, timeline, emotional flow, scene selection and narrative focus.

Developmental editing is usually done before copyediting and proofreading.

Use a developmental editor when:

  • the book needs structural help

  • chapters may need to be moved or reshaped

  • the story or message is not clear enough

  • the book feels unfinished or uneven

  • you need help turning the draft into a stronger manuscript

This is one of the most useful stages if the book still needs work at the content level.

Structural editing

Structural editing is closely related to developmental editing. It focuses on how the manuscript is built.

The editor may look at whether the chapters are in the right order, whether sections flow properly, whether the introduction sets up the book well, whether the ending feels complete and whether the book holds together as a whole.

Use structural editing when:

  • the content is mostly written but feels disorganised

  • the book jumps around too much

  • chapters do not flow well

  • the reader may get confused

  • the book needs a clearer shape

This is especially useful for non-fiction, memoir, family history, education books and business books.

Line editing

Line editing focuses on the writing at sentence and paragraph level.

A line editor looks at how the words sound and flow. They may help improve rhythm, tone, clarity, sentence structure, repetition and awkward phrasing.

Line editing does not usually change the whole structure of the book. It works more closely with the writing itself.

Use line editing when:

  • the structure is mostly working

  • the writing needs to sound smoother

  • sentences feel clunky or repetitive

  • the tone needs refining

  • you want the manuscript to read more professionally

Line editing can make a big difference to how polished a book feels.

Copyediting

Copyediting checks the manuscript for accuracy, consistency and language issues.

A copyeditor may look at grammar, spelling, punctuation, capitalisation, repeated words, inconsistent terms, timeline issues, style consistency and unclear wording.

They may also check things like whether a character’s name is spelled the same way throughout the book, whether headings are consistent, or whether dates and references are presented in the same style.

Use copyediting when:

  • the structure is settled

  • the content is not changing significantly

  • the writing needs a detailed language check

  • you want consistency across the whole book

  • the manuscript is almost ready for layout

Copyediting usually comes after developmental or structural editing.

Proofreading

Proofreading is the final text check.

It is not the same as editing.

Proofreading looks for remaining errors such as typos, spelling mistakes, punctuation errors, missing words, repeated words, incorrect page references and small inconsistencies.

Proofreading should happen when the manuscript is very close to final.

Some proofreading may happen before layout, and another proofread may happen after layout when the book is in its designed form. This is because layout can introduce new issues, such as awkward line breaks, missing page numbers or text sitting incorrectly.

Use proofreading when:

  • the manuscript has already been edited

  • the content is final

  • you are checking for small errors

  • the book is nearly ready for print

  • you want one last careful review before production

A proofreader is not there to restructure the book. Their job is to catch errors before the book is printed.

Fact-checking

Some books need fact-checking as well as editing.

This is especially important for non-fiction, memoir, history, education, health, technical books, recipes, travel, business books and any book that includes real people, places, dates, claims or instructions.

A fact-checker may check names, dates, events, quotes, references, statistics or other factual details.

Use fact-checking when:

  • your book includes factual claims

  • accuracy matters to the reader

  • the book refers to real events or people

  • the book includes instructions, recipes or technical information

  • errors could damage trust or cause problems

Not every editor provides fact-checking, so always ask if this is included.

Permissions and reference checking

If your book includes quotes, song lyrics, poems, images, diagrams, maps, recipes, letters, interviews or other material created by someone else, you may need permission to use it.

This is not something to ignore.

An editor may be able to flag possible permission issues, but they are not always responsible for clearing permissions for you unless that has been agreed as part of their scope.

Use permissions or reference support when:

  • you quote other books, songs, poems or articles

  • you use images you did not create

  • your book includes interviews or private letters

  • you include third-party diagrams, tables or resources

  • you need references checked or formatted

If in doubt, ask early.

Editors are not book designers

This is important.

Editors work on the manuscript.

They are not responsible for designing the book, creating the cover, setting up the internal layout, placing images, calculating the spine width, preparing print files or making design decisions.

Some people may offer both editing and design services, but they are separate skills and should be treated as separate stages.

An editor should not be expected to:

  • design the book interior

  • place images into the book layout

  • choose the final page size

  • create the cover

  • calculate the spine width

  • set up bleed and trim

  • prepare print-ready PDF files

  • fix print production issues

  • create marketing graphics

  • manage the printing process

Those tasks belong to designers, formatters, printers or publishing production specialists.

Editors need to stay within their scope of practice, and authors need to understand what they are actually paying for.

When hiring an editor, ask what type of editing they provide and what is included. Make sure you know whether they are doing a manuscript assessment, developmental edit, structural edit, line edit, copyedit or proofread.

Do not assume one editing service includes everything.

What your manuscript should include

Before moving past this stage, make sure your manuscript includes all the written parts of the book.

This may include:

  • title page wording

  • dedication

  • acknowledgements

  • table of contents wording, if required

  • foreword

  • introduction

  • chapters

  • captions

  • image notes only, not placed images

  • references or bibliography

  • endnotes

  • glossary

  • author bio

  • other books by the author

  • final notes or resources

Not every book needs all of these sections.

A novel may only need a title page, copyright page, story content, acknowledgements and author bio.

A non-fiction book may need a contents page, introduction, chapters, references, glossary and resources.

A children’s book may need page-by-page text and clear notes for illustrations.

The goal is to make sure the written content is complete before the next stage begins.

Keep your manuscript file clean

A clean manuscript is easier for editors, designers and formatters to work with.

You do not need fancy formatting.

You do need a file that is easy to read and understand.

A clean manuscript should have:

  • clear chapter titles

  • consistent paragraph breaks

  • simple headings

  • clear written notes for special content

  • consistent spelling preferences

  • no unnecessary design styling

  • no typed page numbers

  • no double spacing

  • no placed images

  • no manual spacing tricks

  • no attempt to force the book into its final printed layout

If an image may need to appear near a certain section, add a clear note such as:

[Insert image 1 near here: beach photo]

Do not place the actual image into the manuscript.

Simple notes are better than trying to force the layout yourself.

Name your file clearly

Version control matters.

When a book has too many files with confusing names, mistakes happen.

Avoid file names like:

final.docx
final-new.docx
final-final.docx
actual-final.docx
real-final-use-this-one.docx

A better file name would be something like:

Book Title - Manuscript - 2026-06-07.docx

or:

Book Title - Edited Manuscript - Ready for Layout.docx

Clear file names help everyone know which version is current.

When is the manuscript ready for the next stage?

Your manuscript is ready to move forward when the content is complete and no major changes are planned.

Before moving to book design, check that:

  • the manuscript is fully written

  • all chapters are included

  • the order is correct

  • the main editing stage is complete

  • any major rewrites are finished

  • image notes are clear, if required

  • references or back matter are included

  • the file is clean and easy to read

  • you are not still adding or removing large sections

  • you have not tried to design or format the book inside the manuscript

Small corrections can still happen later, but the big content decisions should be finished before layout begins.

The main thing to remember

At this stage, your only job is to prepare the manuscript.

Write the book.
Shape the book.
Edit the book.
Check the book.

Do not design it yet.
Do not format it yet.
Do not place images yet.
Do not build the cover yet.
Do not worry about the spine yet.

The manuscript stage is where you get the content right.

Once the content is ready, the book can move into the next stage: book design.

Book Binding Options & Calculators — Paperback, Hardcover, Saddle Stitch, Spiral

Choose your binding, then price it instantly. For one-off orders see print on demand, or compare quantities on our short-run guide.

Paperback book printing — perfect bound example

Paperback Book Printing (Perfect Bound)

Trade-quality softcover. Up to ~700 pages on 80 gsm.

Hardcover book printing — case binding options

Hardcover Book Printing (Case Bound)

Durable case-bound. Up to ~700 pages on 80 gsm.

Saddle-stitched booklet printing — staples visible on spine

Saddle-Stitched Booklet Printing

Booklets and programs. Up to ~48 internal pages.

Spiral and wire bound book printing — lay-flat workbooks

Spiral / Wire / Comb Book Printing

Lay-flat manuals and workbooks. ~10–300 pages.

Popular book projects

Quick links to our most-requested specs and guides.

How it works

How the book printing process works
Quote → Files → Proof → Print

Simple, fast, and expert help at every step.

  1. Get an instant quote

    Choose binding, size, stock and quantity.

  2. Prepare your files

    Use our size guides and calculators for a perfect fit.

  3. Proof & go to print

    We email a proof. Approve online. Fast AU-wide delivery.

Book file prep tools (sizes, spines, margins)

FAQs

What is the max page count on 80 gsm paper?

Paperback (perfect) and hardcover: typically up to 700 pages. Saddle stitched: up to 48 internal pages. Wire, coil or comb: about 10 to 300 pages depending on coil size.

See binding limits

Is there a minimum order?

No minimum order. We specialise in short runs with AU wide delivery.

Request a quote

How long does it take?

Typical flow: quote, file check, digital proof, print, dispatch. Timelines depend on specification and quantity.

What files do you accept?

Print ready PDF (fonts embedded, CMYK, 300 dpi images) with bleed and safe margins.

What sizes and margins should I use?

Use common sizes (A5, 6x9 in). Allow larger inner margins on thicker books to avoid gutter loss.

How do I calculate spine width?

Rule of thumb: spine_mm = (page_count / 2) x paper_caliper_mm.

Do you print children books, A5 or family history books?

Yes. Paperbacks, casebound keepsakes, and workbooks are all supported.

What is the cheapest way to print a book?

Minimise colour pages, choose common stocks (80–100 gsm text, 250–300 gsm cover), pick popular sizes (A5 / 6x9), and print at price breaks.

Pricing examples

Open the calculator for each common spec and tweak quantity, stocks, or colour pages to match your project.

A5 Paperback — 200pp, B/W

Perfect bound • 80–100 gsm text • 250–300 gsm cover (matte/gloss) • CMYK cover, mono text

Great for novels & memoirs. Adjust quantity for best price breaks.

6×9 Hardcover — 160pp, Colour

Case bound • 128–150 gsm text • case wrap or jacket • full-colour throughout

Premium non-fiction, photo-heavy content, gift editions.

A4 Saddle-stitched — 24pp, Colour

Stapled booklet • 130–170 gsm text • 250 gsm cover • full-colour

Programs, brochures, zines. Remember: pages in multiples of 4.

A4 Wire / Coil — 120pp, B/W

Lay-flat binding • 100–170 gsm text • optional acetate/board covers • mono text

Workbooks, manuals, cookbooks; add tabs or laminated covers if needed.

A5 Children’s Book — 40pp, Colour

Perfect/wire options • 128–150 gsm text • sturdy cover • full-colour

Durable stocks recommended for younger readers.

A5 Family History — 300pp, B/W

Perfect or case • mono text with optional colour sections

Add colour photo sections to keep costs balanced.

Australia-wide delivery

We ship everywhere in Australia with reliable carriers and careful packaging. You’ll receive tracking on dispatch and help with timelines when you request a quote.

  • Packing: shrink-wrapped bundles, corner protection, sturdy cartons; pallets for large runs.
  • Speed: standard and express options depending on spec and destination.
  • Tracking: emailed on dispatch; delivery windows confirmed at proof approval.
  • Split deliveries: ship copies to multiple addresses if required.

Book Printing Company Service Areas